I was already considering breaking the news to my professor, when I bumped into Nadine, a Filipino sempai (or senior) who was doing her postdoctoral at the same university. When she asked what the matter was, I told her everything—that I couldn't finish my book and that I wouldn't be able to graduate on schedule.
Instead of indulging my little pity party, she asked me if I had all the data and results I needed. I told her that I did. I just needed to string them all together into a coherent narrative.
So I went back to the lab and got to work. Two weeks later, I finished the first draft of my dissertation—all three hundred and fifty pages of them (Disclaimer: half the pages were filled with pictures, charts, and graphs).
And I’d never have done it if Nadine hadn’t hit me on the head (well, figuratively at least).
Through the years, when I’m on the verge of giving up on something, my hubby would always remind me of Nadine’s words.
Back to the present day—with Nadine’s tough-love pep talk in mind, I sat back down in front of my computer and forged on.
Back when I had first started writing a month and a half ago, I mostly wrote scenes, settings, and dialogues—anything to reach my target word count for the day. One day I'd be on chapter three and the next day, I'd skip to chapter seventeen. But although I surpassed 20k words, my story was far from complete. I still had a lot of holes to fill.
I think that having an outline really helped. The outline gave each chapter a goal—how it contributed to the development of my characters and their relationship. It was a step-by-step process—much like building a house. First, you had to make sure the foundation was solid before you erected the skeleton of columns and beams. Then you roofed it over, poured in the concrete for the floors, built the walls, and put in the doors and windows before you moved on to finishing. The outline was my story's blueprint, it's basic foundation and skeleton. Without the outline, I don't think I would have been able to write a completely new novella in only two months.
Also, knowing how the whole story would end was also immensely invaluable. It was like a compass—even though I was panicking, I knew the general direction I was headed.
Six days later, I completed the first draft of my #SparkNA manuscript. My word count was 40,360 words.
In this case, bravery meant sticking to my writing goals. This meant continuing to write even though I wasn't in the mood to or even if I thought my words were crappy. I wrote on my phone while my kids played. I dictated dialogues onto the Notes app while I folded laundry. I thought of solutions to plot holes while I washed dishes and vacuumed. On weekends or at night when the kids were fast asleep, I edited and revised. I sent copies to my betas for feedback then scrambled to complete the final edits. My final word count was 38,993.
Even at the very end of my #SparkNA journey, my bravery was tested yet again. It took a whole lot of courage to press the SEND button . . . knowing that I was letting a little part of myself go and not knowing where it will lead.
But I chose my path and I am happy I stuck to it until the very end. Because bravery in battle isn’t about waving a sword in the air and shouting expletives—it’s about getting out of bed and fighting the fight. It’s about overcoming the simple things in your everyday life . . . making time and space for something you’ve committed yourself to.
Bravery is a choice. And what makes it so scary is that you have to do it all by yourself.


